Hes very down-to-earth. Bob was a star by name in the 80s. People would die. He was just playing in a new sandbox. He really was the first to do those sexy red carpet dresses, and everybody who is designing clothes for the red carpet really owes him a debt of gratitude. CN Fashion & Beauty, Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 5/25/18) and Privacy Policy and Cookie Statement (updated 5/25/18). Its an extraordinary piece of fashion history. Tuesday-Saturday: 10 a.m. - 5 p.m. Sunday: 1 p.m. - 5 p.m. I think thats how Bob looks at things, that if you just stand something on its head, its not so shocking anymore. I look at it this way: Bob had succeeded before he came to Seventh Avenue. The curtain dress he concocted for Burnetts Went with the Wind, sketch is in the permanent collection of the Smithsonian. . [Id] look in the mirror and I said, Oh! RuPaul: I cant say enough good things about Bob Mackie. Bill Haslam proposed and the Tennessee General Assembly approved $120 million in the FY-2015-16 budget to build a new home for the Tennessee State Museum on the Bicentennial Mall to maximize the states rich history by creating a state-of-the-art educational asset and tourist attraction for the state. I said, No, I dont think you understand, we will do five different gowns per show and there will be no testing. And she said, Well, thats impossible. And I said, I think youre right. The next call I made was to Ray Agahayan who was working with a young man by the name of Bob Mackie, and I said, I want you to design the clothes for the Judy Garland series. And Bob was, he looks to be 9 years old now, but at this point he was actually 9 years old. Once we solve the problems in the fitting, then [there is] nothing to worry about on the runway or onstage. There were characters (usually on the gay side), and they had the best, the funniest lines. And it was fine with me; it was fun! Burnett: I dont think there is anyone in the history of costume design who could do what Bob did, and continues to do. In 1974, introduced them to its readers thus: Bob Mackie and Ray Aghayan came to show-wiz fame designing glitter costumes for onstage, on screen superstars Carol Channing, Diana Ross, Barbra Streisand, Carol Burnett, and of course, Cher. You always associate his name with glamour, although his sense of humor and, of course, the comedy are beyond. Bob also did that with. Edith Head had a lot of people that had been with her for a long timetwo or three sketch artistsa lot of designers. Well [thats what he did]. went to live with his grandmother. I was very unhappy in the beginning of my career because the clothes never came out right with the people that made them. hes a genius, thats all. He is really the heir apparent of the glamorous Hollywood aesthetic, you know, the Busby Berkeley musicals and the great designers from films and theater. Evening dress. [Many designers are] not very interested in the construction of the garment. Variations 1; Variations 2; Features. He even designed the wigs and how the makeup might be. Well, thats good. Theyd want me to do a dress. So the two of them [Bob and Cher] would go out and look at things from every angle and create looks that people would just be wowed by. And bing-bong, there he was on time, and I opened the door, and he looked like he was 12 (he still does), and I said, Are. In the late 70s, Dottie paid him $100,000 a year to develop her stage wardrobe. ), THE MAN Strimple: [Once after a dinner at his home,] Bob brought out glass ice buckets and in them were all kinds of Push Pops and Dreamsicles and drumsticksall the frozen things of our youthand everyone turned into a child. I was thrilled when I had the chance to see the clothes he did for Elton [John, which were referenced in Micheles Spring 2018 Gucci collection.] I bet I could do this. Thank God when youre young youre kind of stupid and you just go forward and keep pushing. Bob and I are both perfectionists when it comes to fit. Its as simple as that. I believe Ray and Bob met at a Costume Designers Guild meeting out in Los Angeles. Youre right. Please visit our Plan Your Visit page for more information about visiting the Museum. The Slaughterhouse. One of our rules and tenets of doing things, especially for people like Cher, is it can be camp, and it can be large flowers and wonderful things, but it Must. He has made thousands of brilliant costumes in his day and should have a show of his own at The Met. you have no idea how important the fitting process is to him. I dont think camp is a bad term, I think camp is another way of saying they shocked people, and sometimes it made them laugh and sometimes it just left them in awe. . He has made thousands of brilliant costumes in his day and should have a show of his own at The Met. . McFate: I thought I was meticulous you have no idea how important the fitting process is to him. One of our rules and tenets of doing things, especially for people like Cher, is it can be camp, and it can be large flowers and wonderful things, but it Must. People would die. By the way, thats a character she plays. Berresse: [What was] most important to me was to make sure that Bobs joy, his humor, his childishness, childlikeness, came off onstage. They have to sit perfectly. He even designed the wigs and how the makeup might be. , and when the ballet came on, I just thought it was the most beautiful thing Id ever seen. We didnt know what hippies were quite yet. When you touch his creations, you have the feeling of being in contact with an artefact. He was entranced by the glamour of Carmen Miranda and the magic of the ballet in. Bob Mackie. And bing-bong, there he was on time, and I opened the door, and he looked like he was 12 (he still does), and I said, Are you Bob Mackie? Well you know, hes the perennial boy. After a couple of years working in Vegas, doing stand-up, and singing, and making jokes and whatever, CBS hired them to do a weekly show. Mallis: Im not exactly sure why, but it was clear that Seventh Avenue didnt really embrace him and never made it easy for him. Joe McFate, design director, Bob Mackie: Ray was Persian and he got himself into the United States, he learned to speak English, and he got himself an education, and directed plays and designed costumes. The State Museum values the relationship we have with Tina Turner Museum at the Flagg Grove School and with the West TennesseeDelta Heritage Center and looks forward to future collaborations., The jacket and skirt were created by world renowned fashion designer Rifat Ozbek, a twice-awarded Designer of the Year winner by the British Fashion Council. It was always work that saved him. They had the costume designers name there. I mean line for line, bead for bead. Bob was a star by name in the 80s. There were things he was offered that he turned down because he was loving what he was doing at CBS. After a couple of years working in Vegas, doing stand-up, and singing, and making jokes and whatever, CBS hired them to do a weekly show. Select this result to view Bob MacKie's phone number, address, and more. (Later, I donated the dress, and it was auctioned to help buy solar panels for a hospital in Burundi, which is now entirely energy independent. I want to wear something really fun. I had done several outfits for her over the years, some of them were bare midriff and whatever. You cant think of Cher without thinking of Bob Mackie, and there are not all that many people that you can make those relationships with that count. The West Tennessee Delta Heritage Center is located along the Americana Music Triangle, the worlds #1 music destination a preservation project along a 1,500-mile stretch of highway that birthed nine uniquely American genres of music. The curtain dress he concocted for Burnetts Went with the Wind sketch is in the permanent collection of the Smithsonian. Bob Mackie has got to be the busiest 80-year-old on the planet. Mackie: I ended up working the minute I got out of school. I hadnt seen Bob in about 15 years. being this kind of doddering old lady. . His comfort was work, and it still is. Top Museums in Mount Juliet, TN Museums in Mount Juliet Enter dates Filters 1 Attractions Traveler favorites 1 place sorted by traveler favorites Clear all filters 1. Bob Mackie is one of the most prolific designers of all time. Well, Bob came up with that, [too]. [on television], a lot of what they did in those sketches was campy and was played for the laugh, and the costumes fed into that. ON CAMP The images of his costumes and gowns for these women have become a part of the landscape of fashion from the. His comfort was work, and it still is. (Later, I donated the dress, and it was auctioned to help buy solar panels for a hospital in Burundi, which is now entirely energy independent. . Bob Mackie, photographed at his Los Angeles studio, received a lifetime achievement award from the Council of Fashion Designers of America this week. Peters: Hes glamorous, maybe that kind of glamour [comes] with taking riskshe took a lot of risks. Flody Suarez, lead producer, The Cher Show: One of the things that I found so fascinating was that Bob was Edith Heads assistant when he first started in the business. Biographies will date the California-born costumers debut in the entertainment business to 1961, but Mackies fate was sealed much, much earlierat the movies. Tim Conway wrote those characters, and originally he had Mrs. Wigginsshes the secretary the IQ fairy never visitedbeing this kind of doddering old lady. They [have been some] indelible moments of [red carpet] craziness, really. He designed all the funny stuff, and all the beautiful stuff. Time and time again he returned to work; it was his salve. [Id] look in the mirror and I said, Oh! He is a totally supportive force field of positive energy who is a delight. I dont think camp is a bad term, I think camp is another way of saying they shocked people, and sometimes it made them laugh and sometimes it just left them in awe. Bob Mackie was the engine of an incredible moment: most probably Cher would have not been Cher without his designs. BEGINNINGS. Suarez: They both inspired each other and pushed each other. And he dressed everybody: the dancers, singers, the guest stars, us. They wanted to give me something but they didnt know what to do with me, so they gave me an award for fashion exuberance, which I still think is funny. cinematic. They also super-costumed Las Vegass Hallelujah Hollywood (over 700 costumes). Can Seventh Avenue . Its just wonderful that hes being recognized right now for the great talent he is and the inspiration, actually, that hes given young people. This is beautiful. [What was] most important to me was to make sure that Bobs joy, his humor, his childishness, childlikeness, came off onstage. 1. He thinks about how things are going to be made as hes sketching, so the function of it becomes part of the form. Isnt it Diana Vreeland who said that? Give them what they dont know they want? Well [thats what he did]. It is an honor for the Tennessee State Museum to receive this gift from Tina Turner for our museums collection, says Tennessee State Museum Executive Director Ashley Howell. Peters: He's glamorous, maybe that kind of glamour [comes] with taking risks he took a lot of risks. As a grownup, I discovered that the genius behind those gorgeous outfits was Bob Mackie. This kid and I who are traveling cross-country, we stop at the fictional Bob Mackie Museum in Mt. hes a genius, thats all. MACKIES LEGACY especially when clothes as clothes are as goofy as some of the ones Ive done like for Cher. His work was not [about] business; it was the emphatic work of an artist for other artists. A true artist and living legend, welcome to the Bob Mackie website. He seems more like a friend. For me it is like having met a guru. I believe Ray and Bob met at a Costume Designers Guild meeting out in Los Angeles. and somehow we made her look absolutely fabulous. ! (I think he was in his late 20s at the time), and he came in and we just said, Okay, will you do the show? and he said, Yes, and that was it. Mackie doesnt scare meyou know I can handle a little bit of extra fabric. (Later, I donated the dress, and it was auctioned to help buy solar panels for a hospital in Burundi, which is now entirely energy independent.). , and to this day he has retained a childs sense of wonder,pairing itinhis work with craftsmanship, humor, and an instinctive grasp of character. why did aeden leave hollyoaks NEW; california school board elections NEW; how to win unemployment appeal for misconduct NEW; coleman 6250 generator manual pdf; cottages to rent in scotland; is the united states a centralized government NEW; dasani . Hes glamorous, maybe that kind of glamour [comes] with taking risks. To date, more than 604 million unique media impressions have been acquired on the museum. Where did she get that? So people are really still fascinated with Cher. Irene Sharaff became my favorite, my idol. Bob Mackie was born in Monterey, California. Id seen all these pictures of Sonny and Cher, The worlds first hippies. They were kind of like New Age cave people; there they were in their fur vests and funny pants and belts and just a whole look that nobody had had up until that time. I think thats a hallmark of most of the things that Bob has made in his life; he still looks at fashion or costume, or culture really, through a childs wondrous eyes. I loved working with Carol because she really let me contribute to the ideas, and sometimes I would help her with a character. McFate: I can honestly say that he appreciates it when people appreciate what he does, but it has always been about the work. You cant ignore his presence and his success even if hes not your cup of tea. People would die. For the Oscars in 1986, Cher herself said: I dont want to wear just an evening gown. It was truly love at first sight. I think he loves how his work and his creativity has given the world a little bit of joy, a little more color. Not only is he just a lovely and pleasant person to work with, but the talent is. Once we solve the problems in the fitting, then [there is] nothing to worry about on the runway or onstage. As a costume designer, he influenced fashion dramatically. He is a totally supportive force field of positive energy who is a delight. This iconic look selected for an album promo shoot will be added to the collection of the State Museum and exhibited in the new museum opening in the fall of 2018. There were things he was offered that he turned down because he was loving what he was doing at CBS. He finds so much joy; he literally loves working and he loves the process of working. Ad Choices. Call us at (812) 213-7358 to take advantage of our concrete foundation skills! His famous quote that his clothes are for the woman who is not afraid to be noticed is one of my mantras. For high resolution images of the apparel donated to the Tennessee State Museum, click here. Edith saw that in me, so every time there was something crazy it would come right straight to me to do. He really was the first to do those sexy red carpet dresses, and everybody who is designing clothes for the red carpet really owes him a debt of gratitude. Bob sees how you can put things together in a way that I think that a lot of other people dont see. The curtain dress is the first thing that comes to mind always, [when you think of Bob]. The images of his costumes and gowns for these women have become a part of the landscape of fashion from the 60s, 70s, and 80s, and in my case, become part of my hard drive of references. His designs have been worn by Tina, Madonna, Janet Jackson, Sarah-Jessica Parker, and Kylie Minogue among many others. . Suarez: If you go back to The Sonny & Cher Comedy Hour and The Cher Show [on television], a lot of what they did in those sketches was campy and was played for the laugh, and the costumes fed into that. Its just wonderful that hes being recognized right now for the great talent he is and the inspiration, actually, that hes given young people. I think he loves how his work and his creativity has given the world a little bit of joy, a little more color. was the cinema, and its there that Mackie, Mr. [costume], thats in the Smithsonian. Irene Sharaff became my favorite, my idol. one episode is a Bob Mackie episode. I met Bob when I was 19. His freedom talking about his relationship with Ray Aghayan, for one thing. It was always work that saved him. Mackie has a golden roster of clients, but its his work for Carol Burnett and Cher that is best known. I look at it this way: Bob had succeeded before he came to Seventh Avenue. Bob Mackie is one of the most influential and inspiring of all American designers. Be. Bob was a sketch artist and Ray needed a sketch artist, so Bob drew for Ray, and then eventually I think Bob said, Listen, Im doing 50 percent of this work, I would like to share some credit with you. And so they did. Via a special video that was filmed on the set at an IO commercial in Switzerland, Tina recalled the impact of education on her career. He was entranced by the glamour of Carmen Miranda and the magic of the ballet in An American in Paris, and to this day he has retained a childs sense of wonder,pairing itinhis work with craftsmanship, humor, and an instinctive grasp of character. When I met Cher, I dont know, I just thought she was the cutest thing ever, and then I looked at her figure and I mean I thought, And so thats kind of how it started. Ive got to find the right way to say this, but a lot of people look down their noses at designers who make clothing for television. Burnett: There were times when I didnt know how I was going to do a character until I went to the costume fitting and put on what Bob had in mind. His pieces sit on the body like couture [does]. She said, No ones seen me dressed up for a couple of years,, because she had stopped and done a play and some movies, and I said, Okay, what would you like? Well, I want a big headdress. A headdress? The Guinness Book of World Records lists Tina as selling more concert tickets than any other solo performer in history. The Tennessee State Museum was established by law in 1937 to bring together the various collections of articles, specimens, and relics now owned by the State under one divisional head, and to provide for a transfer of exhibits wherever they may be. This kid and I who are traveling cross-country, we stop at the fictional Bob Mackie Museum in Mt. They wanted to give me something but they didnt know what to do with me, so they gave me an award for fashion exuberance, which I still think is funny. And its not just about sequins and the bugle beads for the sake of the sequins and bugle beads; its that they create this sort of shimmering moving work of art that really literally and figuratively reflects light. You always associate his name with . Designed by renowned interior designer Stephen Sills, the museum sanctioned by Tina features multiple costumes from designers Bob Mackie, Giorgio Armani and Versace, gold record awards and photos from Tinas personal collection. Hes obviously a brilliant designer, but hes not full of himself and overly dramatic in his regular day-to-day life. Thank you for signing up, fellow book lover! You can make the best designs in the world on a piece of paper, but if they arent made beautifully and they dont fit right, it just doesnt work. In 1974, Vogue introduced them to its readers thus: Bob Mackie and Ray Aghayan came to show-wiz fame designing glitter costumes for onstage, on screen superstars Carol Channing, Diana Ross, Barbra Streisand, Carol Burnett, and of course, Cher. Hollywood, fell in love with the movies. [Bob has] contributed to the industry the idea that clothes have a soul [rather than being] simply pieces of fabric.You have to put energy inside clothes; Bobs creations made impetuous energy of great artists and through his clothes the artists were able to magnify their talent. Its essential. I never kind of wondered what I would do, I just thought Id do that. I said, No, I dont think you understand, we will do five different gowns per show and there will be no testing. And she said, Well, thats impossible. And I said, I think youre right. The next call I made was to Ray Agahayan who was working with a young man by the name of Bob Mackie, and I said, I want you to design the clothes for the Judy Garland series. And Bob washe looks to be 9 years old now, but at this point he was actually 9 years oldand so I set up a meeting with Bob Mackie and Judy Garland and violins played, I mean you could see a love affair taking place. . Its too bad that people have sort of put him in the costume realm because it really is high art, actually. Slated for a December 2020 release, an as-yet untitled Bob Mackie doc from Matthew Miele will examine the designer's 50-year career, from sketch artistry to costume designing 'The Carol Burnett . Its official title . Well, because Bob was associated with televisionand the red carpet, of coursethe fashion industry looked at him as a Hollywood guy. They both inspired each other and pushed each other. You cant make these crazy-ass clothes unless theyre beautifully made, and hopefully perfectly proportioned for the woman. Biographies will date the California-born costumers debut in the entertainment business to 1961, but Mackies fate was sealed much, much earlierat the movies. [Many designers are] not very interested in the construction of the garment. Later, [when I was] nominated for a Tony for the very first time, in the mail I get a letter from him. ! (I think he was in his late 20s at the time), and he came in and we just said, Okay, will you do the show? and he said, Yes, and that was it. Its like a dichotomy. . Feedback. His interest lies less in what a character wears than in why. Lets shock people. And there are times where I think she wanted to be more demure and Bob would convince her to be a little riskier, to take a little bit bigger of a swing at something. Have not been Cher without his designs costume designers Guild meeting out in Los Angeles high art,.! 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